To join me on a virtual sketching trip, download a travel sketch-journal here.
I add tutorials to them so you can learn the techniques and details you see in the sketchbooks.

My former workshop students asked me to upload my workshop workbooks to make them available to everyone. So you can also download a workbook and give yourself a workshop! Enjoy!


Friday, January 14, 2011

To Costa Rica, -- Dec. 17&18, 2010

12/17
Today was the first ever designated Audubon Christmas Bird Count Day for this part of the Osa Peninsula -- history in the making, and I was part of it. What an honor! Actually, anyone with binoculars who wanted to participate was invited, so off we went with Gerardo (pronounced Hair-ardo), the naturalist, up El Remanso's Ridge Trail to see what we could see.

Gera is the BEST naturalist ever, and I count him as a special friend, having first met him in 2007 on his first day at El Remanso. He can answer almost any question put to him, and if he doesn't know, he'll say so. He's an excellent guide to the mysteries of the tropical forest. Here he's holding an anole lizard, having just shown us how it flips out a colorful flag on its chin to warn off intruders or impress the ladies (lady anole lizards, that is).

We saw many wonders, from sloths to trogons (and numerous other birds) to squirrels and a coati nestled on a branch overhead. Gera cut open a tiny fig fruit and we were able to observe the tiny fig wasps which pollinate it (be sure to look at it close-up ~ there's one near the tip of my thumb).

Later that afternoon we took one of the Lodge trucks with seats along the sides of the bed and bounced off down the road to find more birds, including this toucan I photographed through Gera's spotting scope.

We kept getting distracted by monkeys, though, actually seeing all four species that live here along the road to our specified birding site, a large open meadow with a fringe of trees. Which monkeys? Well, there were howlers, spider monkeys, squirrel monkeys (with at least one baby in the troop) and capuchin monkeys. I never have much luck photographing monkeys in the dark trees, but at least this howler is recognizable as a monkey....

During this day ~ along Ridge Trail, the road to the Lodge and in the meadow ~ we spied about 79 species, including Smooth-billed Anis, White-necked Puffbird, Crested Caracara, Bare-throated Tiger Heron, Mangrove Cuckoo, Mangrove Black Hawk, and many others. We likely would have tallied more if we hadn't kept being distracted by other fascinating things, but I guess I'd be pretty stupid to complain about such a "dreadful" circumstance!

Dinner that night was so gorgeous I couldn't help taking a photo of it. All dinners in the restaurant are served by candlelight to keep electricity use to a minimum ~ in keeping with El Remanso's efforts to maintain a low footprint in the ecosystem. The presentation of all the meals is exquisite, and this braised fish was no exception.

I didn't get much sketching today. It was all images "in" and few images "out" although I managed a little drawing of a Slaty-tailed Trogon which I watched for several minutes from the railing of the restaurant. You can see the trogon in the image at right, in the center along the main trunk if you look at it close-up. Since the restaurant is high above the ground, you can look DOWN into the trees for lots of great sightings.

12/18 (my dad's birthday ~ he would have been 109 today!)
After yesterday's birding activity, I was all set for some solo adventuring and major sketching, so I took the trail down to the beach, pausing frequently to appreciate the flora along the way.

I'd been hoping to find an Ojo de Buey, which is the Ox-eye seed that grows on a vine along the trail. Imagine my delight to find the vine producing huge, fresh seedpods. I reached up to touch the fuzzy surface and immediatly got a handful of tiny spines! It took me ten minutes to pull them all out. Glad I had my binoculars ~ looking at the stickers through the wrong end magnified them enormously and I was able to get all those little buggers out. Ouch!

Looking around, I was able to find two seeds from last year along the trail. What beauties! One was to be for Daniel. Sure wish he had been able to come along ~ but I was having a blast nevertheless.

Continuing down the hill and out onto the sand, I was met in the very first minute by a scarlet macaw gleaning almonds in the beach almond tree at the foot of the trail. Beach almond trees almost always have some red and yellow leaves, so the macaw was amazingly difficult to see. I was able to get a quick outline sketch of another one I saw further down the beach, then I was delighted to find a bedraggled-but-beautiful macaw feather washed up by the waves.

I came across what for a brief moment I took to be a set of tractor tracks in the sand ~ but then remembering that there are no tractors around, I realized it was the trail of a sea turtle coming from the ocean to lay her eggs, then returning to sea. I sketched the tracks and the nest site, then continued on down the beach, picking up seedpods and fallen tree flowers to sketch as I went.

Snuggling into my favorite sketching spot in the shade of a huge black rock just yards from the surf, I sketched until my bum was numb (good thing I brought that little sitting pad, or I wouldn't have lasted as long!). Here's part of one sketch page ~ the end of the feather crossed over onto the facing page. I really like this drawing.

After a break I sketched other things I'd found on the sand, discovered some ocelot tracks (they look like big house-cat tracks), then headed back up the trail for lunch. But I almost missed lunch when I got seriously sidetracked by an amazing thing I hadn't seen on my trip down earlier...

At first glance, it was obviously a clump of mushrooms. But these "mushrooms" had evenly spaced bumps on them (no mushroom has those), and the oldest, wilted-looking one had actual flowers poking up out of each bump! Gera later identified it for me as Helosis cayennensis (it IS cayenne-colored) and not all that commonly seen. What a thrill!

During happy hour in the restaurant lounge, I decided to try drawing by the light of my battery-powered book-light (remember, it gets dark on the equator by 6pm), and I am happy to report that it works extraordinarily well. Here's a balsa pod I drew and painted with watercolor pencils solely by the light of the booklight (plus a candle, delivered by the waiter, Eljer, unasked, to light the pod). It worked perfectly!

That meant I'd have evenings to draw and sketch both here and later on the Amazon (I packed extra batteries, just in case). With this realization, I grinned, put up my feet, and relaxed with my Margarita. The perfect end to a great day.

Thursday, January 13, 2011

To Costa Rica, Then The Amazon 12-15&16-2010

My computer has been in the shop for the last week being exorcised of a whole slew of viruses, so I've had lots of time to think, but no chance to get my blog started. At last, here we go!

December 15 - Aloft! Finally, after months of planning, map examining, and googling such things as dugout canoes, the Amazon River and pink river dolphins, then spending hours weighing, packing and repacking my carry-on luggage, getting yellow fever shots and visiting travel sites.....I was at last on my way.

The first part of the trip felt familiar, the journey to El Remanso Wildlife Lodge in Costa Rica is, by now, a part of my beaten track since I've been there many times. But it never loses its allure, and I was so glad to be headed to the warm perfume of the tropics from 20°F., blustery, wintery, Oregon.

The first image above, taken from my plane window, is Mt. Hood (Oregon) from the southwest, shrouded with clouds but with its telltale lenticular (lens-shaped) cloud floating above like a halo.

The journey started at 1am in the Medford, Oregon airport, when Dan'l delivered me to the near-empty airport for the first leg of my trip: Medford-Portland-Dallas/Ft.Worth-San José, Costa Rica. The plane wouldn't leave Medford until 5am, but that meant I had to be there by 3am (for international flights you're supposed to appear 2 hours before the flight) and I didn't want Dan missing sleep because he had to work the next day. So I slept as best I could through the every-four-minutes-I-timed-them announcements to tell me to Watch My Bags, Ask My Airline What Should Be In Carry-on Luggage, Pack My Own Luggage, and other Embecilic Messages offered for midnight consideration while people are trying to sleep. Egad!

But enough complaining. The rest of the flight went just great, with time for sketching and lots of cloud-watching. One of the best things that happened was the $35 I splurged on a massage in a little concourse spa in Dallas/Ft.Worth. I recommend it highly.

I arrived in San José well after dark, but I had arranged for my hotel, Dunn Inn, to send a car for me, and the driver was waiting with a sign that said "Irene" on it, so I could relax and let the driver do all the work. That cost me $25, and was well worth it. Parlaying with taxi drivers in Espanol (mi Espanol es mal) is pretty tricky.

Dunn Inn a good little hotel, clean, with a pleasant staff, and not expensive. Here's my room from the hall, and my two carry-on pieces, sketchbook and camera, plus a suitcase full of goodies for Adriana and Daniel at El Remanso.

The next morning after a quick breakfast, I snapped a photo of the front of the hotel (it looks much like an ordinary house except for the hanging sign) as my hotel driver took me to the Sansa airport. That's my plane in distant center. I didn't count, but I'd estimate there are 16-20 seats in it. I love flying in small planes, and it was an unusually smooth trip. I was sketching a good part of the way.

Upon arriving at Puerto Jimenez, I noticed a pair of toucans gobbling up ripe papayas in a tree right next to the Lodge's airport office. I sketched and photographed them while waiting for my ride to El Remanso, about half an hour. Can you see the toucan? The orange oval in the clump of papayas is the stem of a papaya that was entirely consumed.

Adri had warned me that the rains had left the road to El Remanso a morass, but I had no IDEA! We were hub deep in mud a couple of times, and had to cross two rivers with water high enough to make the engine steam. It was exhilarating, and we arrived safely, having spotted lots of birds, this capuchin monkey in a palm tree, and great curassows in the treetops (more about them later).

After warm greetings, Adri showed me to my room, the spare bedroom in their house (we're distantly related ~ not everyone is so royally treated) which I was pleased to discover had an airy deck with table and chair that I could use while sketching and painting.

In the two years since I'd been there, they've been busy making the place look fabulous, with a new cabina perched out over a jungly ravine and lots of beautiful landscaping. I couldn't stop admiring the gorgeous flowers, hibiscuses, heliconias, palms, and hundreds of things I couldn't even come close to identifying.

And as always, the tree-top jungle view from the restaurant railing was absolutely stunning, with trogons, blue-throated golden-tail hummingbirds, toucans, squirrel cuckoos, scarlet-rumped caciques and many other birds, butterflies, and other creatures flying through or perching on branches just a few feet away.

Right away I started sketching: a lovely soft brown tiger moth they'd saved for me, and a huge paper wasp nest hanging over the Observation Point chairs (nice wasps, not stingers). And then, the turkey-sized Great Curassows wandered past (see the image at right)! My tropical journal sketching adventure was well and truly launched.

In past blogs I have included all the sketch pages I did on the journey. This time, though, I'll illustrate this blog mostly with my photos (plus a few journal pages to give it flavor), but I'll save the majority of the sketches for my upcoming e-journal Journey to the Osa and the Amazon, which I'll offer for download on my sketch journal site. Hmmmm...... I may give it a different name. Like, Daring Journey to Darkest Peru, or something dramatic like that.

I plan to make a tutorial for it, too, showing the scenes I was sketching, decisions I made to create the pages, design problems I ran into, the mistakes I managed to gloss over, and photos of the marvels I didn't get a chance to sketch ~ which were legion! And since the second part of the journal covers my trip to the Amazon (an amazing journey of discovery), there will be lots of new stuff.

I can hardly wait to get to it, but I have vowed to take things in the proper order, so we'll start with my delightful stay at El Remanso on the Osa Peninsula in Costa Rica. And I'll try to do a day or two of the two-week trek every day, so stay tuned! You can check the box in the right column if you want to be advised when a new blog entry goes up.

Tuesday, December 14, 2010

The Big Show/Sale, and Amazona Final Bits

I'm leaving on my Amazon trip in just a few hours, but I'm all ready to go so I have a few minutes to sit down and tell you what I added over the last few weeks whilst also preparing for my Big Studio Art Show and Sale. click on images to enlarge them

I'll get as far as I can before I have to get moving. First of all, the Art Sale was reasonably successful. I'll put in some pictures without much comment, and you can make of it what you will. Cathy and I traded sides this year, so I was to the right as people entered, instead of to the left.

It looked pretty nice, in my opinion. The entire rear was lined with big noble fir trees Daniel and my hired hand Justin moved into the hall and placed judiciously. The guys helped me set up tables and assemble easels, and Cathy and her helper decorated them with white lights, which gave it a festive air. You can see glimpses of them in a couple of the photos.

I put my Christmas Tree ornaments on their manzanita "tree" at the entrance, where they welcomed people and proved a good conversation piece~ as I called my role of constructing them my "guilt-free TV watching entertainment," which seemed to amuse people.

I'm getting hazy on this, but somebody somewhere had wondered if the ornaments couldn't be made to open so that people could put little gifts inside. Cathy noticed that you could glue all but one flap, which I'm showing here, put in a little something, then just press it shut. Cool!

Anyway, it took six hours to set the show up, a total of ten hours on our feet over the two days while the show was open, then about 2 hours to take it down. We made expenses and a bit over, but we've decided not to do it again next year. However, I do have an alternative up my sleeve, which I will tell you about when I get back.

It was really nice to see old friends, new friends, students, and people who've heard of me and wanted to meet me (well, I HAVE lived here for 30+ years). An old friend, Mark, came by and stayed to help disassemble the show ~ a wonderful help! By the time I finally got home, I collapsed in the chair and didn't move for a L.O.N.G. time. My feet still hurt, three days later!

But now that the show was out of the way (and believe it or not, I have completely put everything back in its place in the storage areas), I had a couple of days to UNpack all the cool stuff for my Amazon trip that I packed, what, a month ago? Then I added a few new things suggested by friends and people who have been a-travel and wanted to share. I think the entire carry-on ensemble is now up to 25lbs.

I had planned to attribute ideas to those who offered them, but it is after 8pm and I haven't had dinner yet. So I'm going to just offer these up with heartfelt thanks to those of you who suggested them.
First of all, the Plastic Pee-er. That's not its name of course, and I'm not going to tout any one brand, but here's the one I finally got, for about $10.

I blushingly admit that I have tried it out, both in the bathroom and outside. It works beautifully, and doesn't get you wet, although it feels a bit scary the first time. If you're wearing levis or tightish pants, you have to pull them far enough down that the spout can point downish (doesn't have to be much more than half an inch of incline, though). But still, that means you'd probably moon somebody standing behind you. I haven't tried this, but I'll bet you could tie a shirt around your waist, knotting the sleeves in front so that the shirt-tail hangs down in back, and no one would realize what you were up to.

Okay, the next thing is a mosquito net. I made this from some dark tulle (stuff that tutus are made of, with a very fine mesh). It's just a piece about 18" long, gathered at the top, and sewed delicately down the side by hand. I can put it over my head and imagine mosquitoes vainly trying to get in. I can see through it almost perfectly, sort of a green mist between me and my subject, but it might mean the difference between being able to sketch or not. And it might be totally superfluous, but in any event it weighs virtually nothing and takes up about as much space as a cellphone in my bag.

And finally, I wasn't satisfied with my passport pouch. I found one that looks really nice and has two zippered pockets ~ one for the passport and vaccination booklet, the other for money or whatever. Here's the two of them together. I think the new one, on the left, won't be quite so tacky looking. Plus, it's easier to get at and won't need to be tucked in and out of my waistband.

Today I got a hat, too, but I didn't get a chance to take a picture of it. It has a brim, and a skirt around the back to shade ears and neck, because malaria pills can make you sensitive to sunlight and you wouldn't want to mess around with that on your vacation.

So I'm ready to go. I finished decking out my sketchbook with paper ruler, a paper Centigrade/Fahrenheit thermometer converter, my business card. I then covered the entire back and front with clear package tape to ward off moisture and humidity, then taped in a plastic pocket to slip flat things into. I don't have a picture of that, either, but it's similar to ones I've done in previous sketchbooks, so if you have downloaded one of those you know what it looks like.

My plane leaves at 5am, which means I have to be there at 3am, but you can't ask a friend to take you to the airport at that ungodly hour when they have to work the next day, so I've arranged for Dan'l to deliver me to the airport at midnight and I'll settle down in a chair and nap. No biggie.

Thanks for sticking with me this far! See you in January!

Here's big hugs to all my friends, family and followers. I will think of you as I float down the Amazon, sweating, sunburned, happy as a clam. I hope.

Tuesday, December 7, 2010

Window Dressing for the Studio Sale

Okay! Got the window decorated! This year's Art Show & Studio Sale is now irrevocable.

Click on images to enlarge them.


The Shakespeare Festival Great Hall front window is all properly decked out with tasteful hanging posters, illustration/book-cover/book displays for three of my books, and several other things that look very nice. The bird mobile hangs in the middle this year, instead of at the end. Much better!

I plan to go see it after dark, because the lights in the window make things look really different (prettier, actually).

I've posted your invitation to the show above. That's me standing in front of the decorated window.

Last year it took about four hours of putzing around in the window to figure everything out and get the display set up. This year it took a bit over an hour ~ a tribute to experience and preparation.

As for the Studio Sale itself, last year I learned a little bit about what people are (and are not) interested in, which means I'm not taking some things I took last year, and have added the folded ornaments and better signage on the tables. For example, here's a sign to suggest what a nice gift a book/illustration combination would make.

Last year some of my best sellers were workbooks from my sketching, journaling and watercolor pencil classes. So this year I will have a whole table devoted to them. Below is the sign that will go on that table. There are all kinds of other signs encouraging people to leaf through the books to find where the original illustration in their hands appeared, informing them about copyright laws so they won't buy a picture and believe they have bought the copyright to it as well, and many other things.

I design those signs in InDesign, my desktop publishing program, then glue the paper printout to a piece of same-size Fomecore, which is a very light-weight sheet of foam layered between paper. I tape a triangular Fomecore piece to the back to prop the sign upright ON the table.

Then, after everything is tweaked and in its place, I TAPE the signs TO the tables. In fact, anything that can fall over gets taped to the tables because last year we had unruly kids (and one unruly dog) running into tables and knocking things over. This year there will be a sign at the entrance asking people to please leave their dogs outside. Wish we could ask people to leave all Unruly Beings outside.

Artists have a great advantage in selling their work, as we can make good signs, exactly the way we want them, instead of having to rely on others to do it for us. I feel really fortunate that I have Photoshop and InDesign programs (by now OLD, but still very functional) to help me produce the art and desktop publishing. However, one could also do quite a bit of this in other programs, as well. Word will let you do some fancy word processing ~ and some programs in The Cloud provide free access for tweaking images ~ Picasa, for example, lets you tweak your photos/artwork to some extent for free.

As soon as I finish here, I will be getting out my lists from last year to help me get everything for the show/sale ready to go and packed into boxes. Then the boxes will go out into the staging area (my living room, alas) so I can keep everything together until it goes out the door on Friday morning. I think I'm pretty much ready except for this final gathering-together.

You can probably tell I'm organizing my thoughts here, so this is as much for my benefit as for you to read. It always amazes me to discover which of my detailed blogs elicit interest!

This may be my last blog before the show on Friday and Saturday. After that, I'll come back online with a blog about last-minute additions to my 22lb carry-on luggage for my sketching trip to Costa Rica and the Amazon, which begins on the 15th of December (yeah, that's right, just 3 days after the Show & Studio Sale!).

I've gotten some wonderful tips from my readers about things I should take on my expedition, which I'll share with you. I've also created a little something to deal with mosquitoes. I may not need it, but it weighs less than an ounce or two, and if I DO need it, I'll be SO happy I brought it (I'll show it to you when I post).

Mo' laytah, dear friends!

Saturday, December 4, 2010

New Ornament Tree

After looking critically at the little Douglas fir tree I'd planned to use to display my ornaments (see at left), I went back out into the woods with my pruning shears and my saw, looking for a nice bushy manzanita branch. Click to enlarge images.

Here's what I returned with, and I must say, it looks a lot better than what it replaced (plus, I got a good dose of fresh air and sunshine)!

I had to lock JesseCat in the bathroom in order to decorate the little tree and take its picture, and only let him out when it was de-decorated. He is SO opinionated about where the ornaments should go (not on trees), and kept removing them with the wickedest of looks and skating them across the floor.... Here's what it looks like with the ornaments on it.

I think it will work okay. Maybe I'll put some flowerpot foil around the pot. I have the sand in it covered with lichens to improve its looks.

Just curious ... would YOU pay $1 for a little ornament and $1.50 for one of the bigger ones? How about 50¢ for an uncut sheet with one big one or two little ones on it? The ornament in the picture at right is the large size. Any suggestions?

I'm not even sure anyone will buy them. I may have to give them away with purchases. Well, at least they're colorful, and they're fun to make, so no big deal.

Friday, December 3, 2010

Window Dressing the ArtShow & Sale

It's time to do the window dressing for my Art Show and Studio Sale on December 10-11 and you are invited! I bought some underwriting on our local NPR station. The ad goes like this (although we're supposed to say "underwriting" not "ad":

  • Broadcast of this program is made possible in part by artist and illustrator, Irene Brady, and fine artists Cathy Egelston Mahoney and Belle Mahoney, joining our listeners in supporting JPR. These artists are presenting an Art Show and Studio Sale featuring hundreds of original childrens' book and nature magazine illustrations, drawings, watercolors, acrylic paintings, and prints on Friday, December 10, 4 to 8 pm and Saturday, December 11, eleven to five pm at the Shakespeare Festival Great Hall, 70 East Main Street, Ashland. Pre-views available at www.natureworkspress.com.

The FCC rules make it awkward ~ we wanted to say "You are invited to our Art Show..." but that's not allowed. And there can be no 'calls to action' such as "Come buy some art!" Ah well.

*********************************

The actual window dressing will happen on Monday, in three days, so I spent a large part of today making sure I had everything I need to make it look good.

Here's what it looked like last year, and while I don't plan to change it a lot, I will improve a few things. The important thing, Monday morning, will be to have everything all together and ready to go: the art, the easel and other props, the drape to cover the step-stool (which will hold pictures), the printed signs mounted on Fome-Core, a step-ladder to help hang things, and all the little bits and pieces, like scissors, tape, etc. It's ten miles to Ashland from my house, and I don't want to have to come back for something!

So this afternoon I was pre-assembling everything from scratch to make sure I had all the stuff to put each section together. Jesse, my mischievous cat, helped immensely with advice on placement (some of which he generously tweaked into better positions for me). You can see him proudly showing off his arrangement in the photo of Living Treasure artwork, above.

Last year, I climbed up into the display window with my heap of artwork and gear ~ and my mind went blank. So this year I'll take a printout of the picture of the entire window. For changes I made, I assembled them and took photos. I'll take the photos with me as reference.

It's also important to remember how I assembled these arrangements, so I took "behind the scene's" photos to remind myself how I set them up (see above right).

The step-stool supports my Redrock Canyon Explorer cover art and some inside art as shown here. The drape is a big velour bathtowel (it actually looks pretty good).

Last year I didn't have anything for sale for less than $5. With the economy so lax I thought it might be nice to provide some little hand-constructed ornaments this year for $1.50 or $2.00 each. So I created a couple of folded octahedron ornaments, one with a chickadee, one with a scampering chipmunk, and had my brother print them up for me. The last many nights I have sat folding and gluing as I watched TV, actually having a nice time with it....'simple minded' perhaps.....

But I won't get them all glued up, so I thought I might just sell the printed sheets for 50¢ each and let folks make their own if they want (see the printed sheets at right).

I'm not quite sure what to do about displaying them, so I thought maybe a twiggy branch might work.

It was pretty outside today, with a light layer of snow on the leaves, which looks very strange ~ I don't know why the oaks still have green/yellow leaves on the branches the first of December, but there you see it! And since it was nice outside I decided I'd better get out there and try to find a "tree" to hang the hand-made ornaments from.

Here's what I ended up with. It's still drying out by my wood stove, with some bonsai-type tying and tweaking to make it stand straight and persuade the branches to go where I want. I tied the twigs to a chopstick to guide them. This a pretty poor picture, so I should tell you it's a Douglas fir seedling (dead) with lots of lichens on it. I stuck it in a flowerpot with some wet sand, and I hope it will be dry by tomorrow morning.

But Jesse is such a pill that I don't dare hang the ornaments to try it out. I could tell you tales of trashed Christmas trees in years past, but it is way too depressing to contemplate. So I will secretly hang some tomorrow, briefly, then make my decision. Outside temperatures are supposed to be in the 50s this weekend, to I'll have another chance if this doesn't light up the cockles of my heart.

It is so hard for me to concentrate on this Art Show! I am really excited about it, but I am even more excited about my trip to Costa Rica and The Amazon, which will begin just a few days after the show. Still, one thing at a time...

I have located a marvelous house sitter, Marco, who will stay here the entire time I'm gone. I've had trouble getting/keeping housesitters because Jesse launches surprise sorties at their legs, so this time I'm putting Jesse in a kennel (his kennel room features a window with a bird feeder outside, and a separate playroom he gets to visit for an hour a day). And it's just as well, because Marco has a dog ~ looks sort of like a pit bull/lab cross to me ~ which he PROMISES me will not chew the furniture. I'm so pleased to have someone here to keep the house warm and pipes unfrozen! And he even knows how to use a woodstove. I am WAY lucky!

Here's Jesse, asking nicely for a tidbit ~ my live-in clown.

And with that, I'm back to Art Show preparations. Now that I've cleared the decks of the window dressing mess (it's all stacked in the livingroom, ready to go) I can start packing for the show itself. More later.

Here's a grab-bag of other entries...

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