Onward with my quest to restart my sketch journaling while balanced daintily on a 6’ ladder.
Where am I on my journey to Restart My Journaling? Well....I have actually gotten out my watercolor pencil box. It is lying on the desk.
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A ladder got me really close |
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nice, calm wasps |
I have not opened it yet, but I will, because this sketch is a little confusing in black and white.
But color will improve it, and what better way to jog my hand to apply the color than to tell you about my intentions?
I’ll scan in the colored drawing when I get it done. Hold my feet to the fire, my friends!!!!!
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a panorama photo of my house mural about half-way done,before the house was re-painted cream. |
Okay, now, I promised in my November 11 blog that I would do step-by-step tutorial on how I painted the murals on my house walls.
If you aren’t into details, this one may be a
bit “much" and you can stop here. But if you’ve ever wondered how the heck one gets that art from a
sketchpad up onto the wall, read on.
I’d gotten a little experience at mural painting on the walls
of the North Mountain Park Nature Center in Ashland, Oregon a few years back,
so I was intrigued by the invitingly blank walls of my new Belize house.
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a Mayan ball player |
My earthbag house, which I have cunningly named Casa de la Tierra (House of Earth)
is actually built on an old Mayan terrace, next to a completely buried
(it is said) Mayan temple ruin, so obviously the most appropriate decorations
would be Mayan in nature. I wanted them to look authentic, so I nosed around on the
internet to see if I could find some good subjects.
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Chilam Balam texts of Chumayel
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My research turned up ancient figurines, hieroglyphs, wall
paintings bas-reliefs carved into stone stelae (like this one of Lady Wac-chanil-ahau
standing atop a bound captive warrior), plus painted or inked codices –
bark-paper books the Mayans created around the 1100s. Some were pretty
gruesome, so I avoided those. Others, like this winsome little jaguar tickled my funny-bone.
With lots of
subjects to choose from, I picked out several for my mural, looking for
drama and detail and avoiding modern interpretations (as far as I could tell)
with which the internet is flooded. I decided to copy them almost exactly to
keep them authentic-looking.
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feathered serpent god and supplicant |
I originally planned
to make the serpent god, a really stupendously magnificent being, the first
thing you see as you come up the walk to the house. I even had it all graphed
out and ready to transfer. But after a
few months of thought (you shouldn’t rush such things) a benign realistic jaguar began to
manifest itself, because really, the jaguars have a wonderfully strong presence
here, they, and the other wildlife, are some of the main reason I chose to live
here. I wanted to honor that.
Ready to begin
muraling, I took photos of my house walls (not so easy on a round house!). I joined them together in Photoshop and
created a flat view to use as a template with correct proportions (I could have
just sketched out the plan, but I was having fun in Photoshop).
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this plan is called a "cartoon" by muralists |
On the house, I measured and recorded every wall space, the distance
between windows, and the distance from the floor to what would be the bottom of
every image. Then, in Photoshop, I superimposed a transparent grid sheet over
the plan, sizing it so that each square represented one inch. Then I “pasted” a
mural image into each spot onscreen.
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my 8½x11" working cartoon |
Now, with subject choices
made, I created a fresh 8½” x 11” .jpg file for each image and superimposed a transparent grid on THAT so that every inch grid line on the house wall plan corresponded with the inch markings on my printed-out paper grid.
On the paper grid (my "cartoon"), I counted squares and wrote down
measurements (in red on the ballplayer figure here) to correspond to
measurements of the actual wall. That done I slipped the gridded diagram into a
plastic sheet protector to keep it from getting wet or dirty – I didn’t want to
have to re-count all those measurements.
Time to transfer! Using a
#2 pencil, a yardstick, and a kneaded eraser, I measured the wall up from the
floor and in from the window to find the outermost point of the ballplayer's toe (27” up and
4” in from the door frame – see the red arrow on the cartoon) and made a dot there. Then I located a distinctive spot a few
inches up, at the edge of his anklet (34” up and 7” in) and put a dot
there. I kept working, finding important
points on the drawing, measuring VERY carefully.
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the ballplayers feet, pencil outline |
Finally, I had a dot-to-dot
outline. I went back and added some dots.
Then checking back and forth frequently, I sketched the outline, erasing when I
goofed, redrawing again, and re-checking measurements if something looked off.
It is much easier to draw the outline with all the dots to aim for (I’ve
enlarged the dots on the ballplayer grid so you can see them) than to try to do it freehand.
I didn’t put all the details in this pencil outline on the wall. I
added those later when I was actually painting it.
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the ballplayer, checking out my cleavage |
At first, I thought I would color the figures, but after looking
at the black outlines awhile, I realized that the simple black outlines looked elegant and that adding all the colors might make the mural too overpowering.
But it did need some color, so studying Mayan drawings online I found
a motif called a skyband, a horizontal element which supposedly was used as a division
between the natural and the supernatural worlds in Mayan mythology. It’s
usually brightly colored in Mayan paintings, and I used it to connect all the
murals into one continuous design.
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A short section of Mayan skyband |
With the ballplayer
outlined in black paint, I penciled in then painted a section of skyband in the
colors that seemed typical to many Mayan paintings: teal green, cinnamon, a
darker red-brown, light yellow, and yellow ochre (back to the paint store in
San Ignacio!). Just for the record,
the mural paint I’m using is Comex Vinimex, pintura vinil-acrilica premium,
interiores/exteriores, satinado, which is pretty easy to translate:
Interior/exterior vinyl-acrylic, satin finish house paint.
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glyphs |
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Ix Chel, holding Moon Rabbit |
Over a period of several months, I penciled in, then painted outlines
for the rest of the figures, plus some fascinating glyphs like these at left (I’ve no
idea what this one means. Maybe “Your grandma was a howler monkey!”? Fortunately, few other people can read them either,
so I’m probably safe.) I continued the skyband as I worked my way around the
house toward the entry, completing Ix Chel, the moon goddess holding the moon rabbit (did you know many people don’t see a Man In
The Moon? They see a Rabbit!).
Then I added that whimsical jaguar with a lotus on its head
(jaguars often swim, coming up draped with pond -- or lotus -- weeds).
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Lady Wac-chanil-ahau |
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jaguar figure |
Lady Wac-chanil-ahau with
her basket of offerings (but without her doomed captive!) came next.
One other thing
happened before the mural was done. When I’d finished with the Mayan parts, I
saw that I was having a problem with the natural red clay wall surface crumbling off,
sand-grain by sand-grain.
I realized that my murals were destined for a short
life unless I took measures. So I
painted cream-colored house paint carefully around each figure while Freddy, who has been working at my
house to pay off the price of items brought to him from the US, painted the
rest of the house.
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house-painting in progress |
That stabilized the walls around the
figures, and I then varnished the figures themselves to glue all their little sand grains to the wall.
Only then did I paint the jaguar on the cream-colored wall, using
the same grid and dot technique. Jaguar spots were applied free-hand. Here’s my feline friend, the life-size jaguar in full color, who now greets visitors with his inquisitive and riveting gaze. I
still need to paint the rock he is perched on. The skyband will continue around
the rock to be covered by his front paws.
The jaguar is a powerful god in Mayan
mythology, so to my mind, he guards the entrance and graciously protects all
within.
SO! Now to show you the whole series, finished (including the guardian jaguar above) in the order in which they appear from the front door to the entrance, where the guardian jaguar dwells:
So there you have it -- "How I Painted My House Murals."
That’s my story,
and I’m stickin’ to it
Hasta mas tarde - until later!