To join me on a virtual sketching trip, download a travel sketch-journal here.
I add tutorials to them so you can learn the techniques and details you see in the sketchbooks.

My former workshop students asked me to upload my workshop workbooks to make them available to everyone. So you can also download a workbook and give yourself a workshop! Enjoy!


Showing posts with label Medford. Show all posts
Showing posts with label Medford. Show all posts

Wednesday, May 20, 2009

Nature Sketch-Journaling, May 9-10, 2009

A new venue! The Jefferson Nature Center on Bear Creek just south of Medford, Oregon, is a lovely place for a workshop. On the weekend of May 9th, it was warm and sunny, the air was scented with lilacs and other spring flowers, and we had a wonderful time. As one of the students said on the second day: "This is a great Play-Day!" And it was.

DAY 1
First, I showed them how I outfit myself to go out and sketch ~ that's a picture of me unloading my sling bag. It carries my Robert Bateman sketchbook (6x9), a sitting pad, my specs, a fistful of watercolor pencils and a sharpener, mechanical pencil, kneaded eraser, ballpoint pen, my waterbrush and a wipe rag, magnifying glass, snack, and a bunch of other things as well. It's always fun to unload it for a class, as things keep coming and keep coming, like from a magician's hat. I really should put a couple of colored scarfs in there for a finale!

We started out with the right-brain warm-ups, as usual, the students producing some great "blind" contour drawings of their hands as a beginning. Contour drawings always look best with all the wrinkles, hangnails and gnarly stuff included. The results are always fun. There's no way to be critical of a drawing you did without even looking!

After that, drawing the curled oak leaf was easy, and every drawing was excellent. The women in this group are definitely candidates for my intermediate drawing class.

With no further ado, they graduated to drawing seashells, planning their drawings as journal pages, leaving space for text, title, interesting dividers and other items to be added later. They practiced some "fun font" lettering to use for titles, and soon their journal pages began to emerge.

On the first day of my journaling classes we concentrate on drawing, and on the second day we put our minds to creative writing, poetry and haiku. But I like to see what they can do on their own that first day. I was quite impressed with the output from this bunch. [Remember, you can click on any of these images to see a larger version.] Here's Tiffany's initial journaling page. Notice the bull kelp seaweed she used to set off the text from the drawing.

Usually the students stick to the assignments, but sometimes I get one who wants to go off on her own tack. Maya drew an excellent shell, then took off on a tangent to journal an imaginative lighthouse. She worked faster than the others but used her time inventively to decorate the opening pages of her journal with a Celtic knot and other imagery. I think the other students found it inspiring to watch her fearless efforts.

Since I had added a couple of ideas to this class plan, I decided to offer the students the opportunity to add some watercolor pencil color to their journal pages on this first day instead of waiting till the second day. It was an inspired idea! Simone is at work here, adding color to her shell (see above). All the journals sparkled with color in short order. Here's the first day's colored entries:







The two that have "torn" edges were actually cut with "torn edge" scissors, which give a much better control of where the edge ends up. Since Simone and Tiffany were working on single sheets instead of in journals, they cut their pages out to mount in their journals later.

DAY 2
On the second day, my students produced some VERY evocative creative writing, haikus and poetry. In order to not bother my students as they work on meaningful word combinations, I write in my journal, too. While they were making 4-liner poems, I did this one (which, fortunately, wasn't taken too seriously):
"My workshop students stare, intent,
Focused on their page.
If they don't write a poem right now,
I shall get enraged."

Having fun with the watercolor pencils, they did creative things with their poety and colorful borders. Then I brought out the Microfleur press (a microwave plant press), and we all went outside to select wildflowers (and tame flowers, too), grasses and leaves to press and add to our pages as ephemera. Journals can really brighten up with pressed foliage and flowers, especially when the leaves are colorful in the fall.
Here Maya loads up all kinds of small florets to decorate her page, and taking turns, everyone got a chance to try out this innovative "instant plant press" (we were mostly using 2 or 3 thirty-second nukes for each group of flowers/leaves).

We broke for lunch after an intense morning of play, enjoying the warm sunshine (perfect temperature!) at the picnic table in the Nature Center yard... then back to work arranging dried flowers, titles, haiku, poetry, writing, and colorful dividers on the pages. Students read their haiku and poems out loud, as well.

Occasionally I would shoo everyone out of their seats to go around and look at what the others were doing. In my journaling classes I encourage people to share and copy ideas from each other. If someone does something cool, it's okay for the others to try something similar out on their own page/s.



The day ended too soon for all of us, although workshops are generally so energy intensive that I'm exhausted at the end of the day. Maya's Dad took this picture of us out the side door of the Nature Center under the wisteria (did you know wisteria smells like jasmine tea?) at the end of the workshop.

Great day, great place to work, great people, great fun.

Friday, March 7, 2008

Nature Sketching Workshop ~ What it's like


Tomorrow is the first of three days of my Nature Sketching Workshop. It's described like this on the Ashland Parks and Recreation website:

Tap into your artistic right brain as you draw shells, pinecones,
feathers, leaves, landscapes and other items.
Discover how to shade your drawings for depth and realism.
Learn how to use watercolor pencils to add color and vibrancy to drawings.
Instructor Irene Brady is the author and illustrator of
many award-winning nature books and is
an experienced right brain drawing workshop presenter.
She has worked as scientific illustrator for the
National Fish and Wildlife Forensics Lab
and illustrated for Audubon, Ranger Rick and other nature magazines.
She teaches drawing and journaling workshops in the US and Costa Rica.
Irene's encouraging, gentle guidance will
show ways to improve your skills.
At the end of each class, take home your art
and your workbook of step-by-step technique guides.
Beginning and intermediate artists
will find this nature and landscape drawing class invaluable.
All you need to bring is lunch.
AGES 12 & up DAYS Saturday, Sunday & the following Saturday
DATES March 8, 9 & 15 TIME 9am~ 2:30pm
COST $95 (includes all materials)
PLACE The Grove, 1195 E Main St, Ashland

There are 3 open spaces left, and you can still get into the workshop by contacting me, so if that interests you and you live in the Ashland, Medford vicinity, come join us!

I've been getting my materials together for the workshop, and I'm really looking forward to meeting my new students tomorrow morning. I'm hoping I can get down to the store today to buy an electric teakettle to make tea with, because I'll be taking a big assortment of teabags (we can make tea in the classroom microwave, but it seems to taste better if you do it with a teakettle ~ go figure!). A cuppa makes a workshop more warm and comfortable, somehow, especially when you have a whole group of strangers meeting for the first time.

My workshops draw an extremely varied group of artists and artist "wannabes." It's fun working with the already-artists, and I really enjoy and respect the "wannabes" for their courageous foray into the world of sketching and drawing ~ it takes a certain amount of guts to get from the "I can't draw a straight line" to the "...but I want to learn how."

Actually, I don't teach straight line drawing [grin]. That's what rulers are for. I teach how to translate what you see in front of you into a line on the paper that really LOOKS like what you are trying to draw. And then how to put shading and shadows on it that give it shape and 3-dimensionality ~ then how to give it pizzazz with color. And with the techniques I've developed over the years, I can almost always find a way to transmit that information to even the least developed artist (sometimes it takes more than one try to find the right words or techniques to transmit the idea to an individual, but I'll keep trying as long as the student is willing).

Interestingly, my workshops usually draw highly accomplished artists as well as beginners. You'd think the two wouldn't mix, but I've noticed that artists at all levels can benefit from discovering just WHAT they are doing when they apply their pencil/pen/brush to the paper, and WHY it works or doesn't work. And HOW to make it work if it doesn't. And that's what we cover in the first class with some right-brain applications to drawing natural items, and tips and tricks to shading. In the second and third classes, we enlarge the scope and capabilities with landscapes and later with watercolor pencils. Everyone proceeds at their own level of expertise, and the workshops end with satisfied artists, still at all levels, but each ready to take the next step up. I've learned SOMETHING from every workshop or art class I've ever taught, so we all benefit.

So, like I said, I'm rarin' to go, eager to meet my new friends. And I'm almost packed up to go (yeah, yeah, I know my classroom's only 10 miles down the road, but I've got lots of goodies to take for the class, so it does require a bit of packing).

And that's today's blog. I'll report on the first class within a couple of days. If I'm not too pooped to pop tomorrow evening, I'll try to put something up.

Actually, I just called The Daniel, and he says I may borrow his camera for the class (if you recall, mine went missing at the airport on my return from my last Costa Rica Sketching/Journaling Workshop). I like to take pictures of what happens during my workshops.

So if it all works out, if I can figure out the camera, if my students will give me permission to put their pictures on the blog, you shall see some results soon.

Here's a grab-bag of other entries...

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