To join me on a virtual sketching trip, download a travel sketch-journal here.
I add tutorials to them so you can learn the techniques and details you see in the sketchbooks.

My former workshop students asked me to upload my workshop workbooks to make them available to everyone. So you can also download a workbook and give yourself a workshop! Enjoy!


Showing posts with label sketch/journaling. Show all posts
Showing posts with label sketch/journaling. Show all posts

Friday, December 8, 2017

Adding Color to the Wasps! I DID IT!

I am now officially past my "artist's block," 
thanks to you
I expect to be adding more entries from time to time, so if you want to know about it, put your email over there in that box to the right so you will be notified. Just in case you didn't do it before, you may have missed the second entry I made, a couple of weeks ago (this is the third one).  If so, just scroll down.

Here's the wasp drawing with color added.  It's a lot easier to understand what's happening, isn't it?



Check below in the previous entry to see what this drawing looked like before color was added.  I also wrote in that entry about how I painted the mural on my house walls -- lots of pictures.
Macal in May. Now it's 8' tall.
That's Nacho's thatched hut where
he stays when we go out to El Rancho.

Stay tuned. I'll be adding color to the cecropia drawing (my first one), and also to a drawing I just finished this week out at Micasa, my little house in the jungle at El Rancho.  I finally was able to get there after seven weeks of the road resembling a turtle pond (complete with turtles) and pretty much impassable. When at last I arrived, I fulfilled my vow to make at least one sketch during each visit. (Hint: this latest one is a fungus).  

And they're improving the road -- there's a crop of macal out there that's due to be harvested in January!  

Hasta mas tarde!  

Thursday, November 11, 2010

Costa Rica Jungle & Beach Sketchbooks 1 & 2

I have been scrambling in all directions lately. For some reason, I thought my life would slow down as I approached retirement age, and I HAVE felt sort of "powered down" for the last few months, but when I look at what I've been doing, nothing seems to have gotten more leisurely...

What are centermost in my thoughts these days are the headwaters of the Amazon, where I am going in December. Being a live-aloner, I like to do something exciting on Christmas and my birthday (just after Christmas) to celebrate, and it seemed like a trip to The Headwaters of the Amazon might fill the bill. So I've been putting aside every penny, no dinners out, no movies, no frills atall-atall, for a long time now, and one by one I'm doing the things on my Bucket List. (Click on images to see a bigger versions.)

But that's not what this blog is about. I'll blog my preparations for the Amazon Journey later (it's a sketch/journaling trip, so I've lots of cool stuff to share about the preparation, just in case you're planning something similar ~ or just interested in how one prepares for something like that!).

And this blog isn't about my Second Annual Art Show and Studio Sale I'm getting ready for, just like the one last year, with hundreds of original illustrations being offered at Fire Sale Prices (gotta get those closets cleared out!) on December 11 and 12 in Ashland, OR.

No, dear friend, this blog is about ways YOU can sketch/journal your winter vacation in the tropics (or anywhere else, for that matter), with my two new downloadable e-sketchbooks: Costa Rica Jungle & Beach Sketchbook 1 and Costa Rica Jungle & Beach Sketchbook 2! Sketchbook 1 is pretty much the same book I published last year called "Costa Rica Feb. '08." So if you bought that one then, skip #1 of this pair. But you probably didn't, because it had such a boring-looking cover and ho-hum title that few people were tempted to even check it out. I can hardly blame them. I'll be interested to see if the new cover and title turn out to be more fetching.

Anyway, I added the companion e-sketchbook, #2, which I had created the following July at El Remanso Lodge on the Osa Peninsula. It's full of my jungle/beach sketching adventures, in ballpoint pen and watercolor pencil. The differences you encounter between wet and dry seasons (in vegetation, climate, animals, flowers, EVERYTHING) are amazing.

These are scrumptious sketchbooks, full of interesting sketching subjects and journal descriptions, plus lots of ideas you can put to use in your own sketch journals. Neither one has a tutorial, which has kept the price WAY down there at $6.95. I hope you'll go take a look.

This is just a short post to alert you to the publication date (today!). I'll be blogging again within the next week or so with more big news.

till then,
Irene

Tuesday, August 5, 2008

Costa Rica Sketch Journal ~ July 14, 2008 (still)


Sketch/journaling is half the fun of traveling or taking a vacation. It gives your trip a continuing life ~ that vacation is never really "over" if you can go back and relive it in full color (and with memory joggers for scents, sounds, ambiences, and other happenings). Making a sketch and/or writing about your day's adventures will greatly enhance your memories later. Hey, sketch/journaling your DAILY LIFE is a trip of its own!

That's why I journal my travels and also why I love teaching travel journaling to others. What a wonderful gift to be able to give other people ~ the ability to "retake" a vacation!

....Back to July 14, Daniel and I were enjoying wandering down the creek, which was about four feet wide and only a few inches deep (navigable in Crocs or other water-type shoes, but you wouldn't want to do it barefoot or in shoes you expect to dry later ~ they'll probably mould before they would dry out at this time of year, the beginning of the rainy season).

A troop of howler monkeys passed by overhead, about five of them, one mother with a baby and ... WHOA! A pinto howler! One of the howlers, a big male, had areas on his body without black pigment and the fur was brilliant golden-orange! Since the troop was about 70' up in the leafy canopy, we didn't get a lot of clear viewing, but it was very obvious that a large part of its tail was pure orange, and part of its lower body. Fascinating! We must have watched for twenty minutes, until our necks complained so loudly they drowned out the fascination and we walked on.

The stream had a cut a ravine down the mountain so that the banks rose at an angle on each side covered with trees, shrubs, and vines. For much of the distance, the creek traveled parallel to the ocean, separated from the beach by a high ridge. We could hear and smell the ocean for much of the walk (see the map journal page above).

We saw cecropia trees in a canopy opening (they grow fast to fill up openings caused by fallen trees) and along the stream we found a palm studded with spines. You definitely wouldn't want to mess with that spiny palm! I collected a spine and a bunch of leaf skeletons, as well, which you can see on this journal page.

We were fascinated by the exotic buttresses on the trees. These are adapted to help hold the trees upright in the shallow, often water-logged soil. On this tree species, whatever it may be, the top of each flange was a gorgeous, unusual coppery orange.

Reaching the lagoon, where the stream pools before wandering out to the ocean, I found a big, boxy crab shell (see the picture at right).

Here you see the (fairly) well-equipped casual hiker, with a walking stick found along the bank, camera, binoculars, water bottle and lunch and a sitting pad in the bag. The camera is usually in the bag, but I'm holding it here. I also should have had a bandana to tie around my forehead (or a soft hat to wear) because later, on the beach, sweat kept running down into my eyes. This is the humid tropics, after all.

The lagoon waxes and wanes with the seasons. On a couple of our visits it has been almost entirely absent, with the stream emptying out right into the ocean. This time, it was lovely and broad, and I saw a jesus-christ lizard race across the lagoon from one side to the other (I didn't make that name up, they really call it that because of how it "walks on water"!). They're really fast and alert, and difficult to photograph.

It was a relief to get out into the beach breeze. As we sat companionably on a log eating energy bars (from my bag), we discovered we were being watched. Be sure to click on the image here to see who was peering out over the top of the log from under the beach almond. (Hint: remember what a pizote is from previous blog entries?)

After the pizote wandered off, we were just sitting watching the waves when Dan noticed a black blob coming toward on the beach us from the north. As we watched in puzzlement turning to astonishment, an Indian water buffalo pulling a wooden cart filled with people hove into view. Talk about incongruous!

We both started snapping photos of it, hoping not to offend, and apparently the people on the cart thought we were pretty funny, because they smiled and waved at us. Later back at the cabina I sketched the preposterous scene from the viewfinder on my camera (this is Dan's photo ~ his were the best, mine were too hasty).

I love my digital camera! That oxcart was in sight for only about five minutes, and only close enough to sketch for maybe one minute ~ I'd never have been able to draw it as it passed.

Speaking of digital cameras, when I travel, I always carry two spare sets of rechargeable batteries for my camera, plus my charger. That means I always have an extra set to carry along with me, even if I have to leave a set charging in my room ~ which has happened. Additionally, I don't have to worry about running the batteries down if I want to draw from the viewfinder or share pictures with others. I never have a problem with my camera running out of juice.

As well, I use a 1 or 2 Gigabyte storage card in the camera and always carry a spare card in case I fill the first one up. Knowing I have the spare card, I can take as many pictures as I want. And I have learned the hard way that before checking my bag for the plane ride home, it's a good idea to either carry the camera or to at least remove the card with my precious photos and tuck it into my wallet. My camera was stolen, along with my entire trip's photos, last February. I minded losing the photos a LOT more than I minded losing the camera ~ it sure was a good lesson!

Tomorrow's entry will the last one for this trip. It includes sketching the jungle from the beach, drawings of some cool things I found along the beach, and the trip home (including a crocodile!). See you then! And after that, I will get back into the process of preparing for my new Oregon Trail historical workshop.

Friday, July 13, 2007

My next "Nature Drawing with Irene" workshop

My July workshop is almost upon me, and yesterday I stopped by the North Mountain Park Nature Center, which is sponsoring this workshop, to make sure all my ducks were in a row. They appear to be.

This workshop, "Nature Drawing with Irene Brady" will be held at a classroom in The Grove, which is near Ashland's (Oregon) City Hall. I've not taught there before, so I don't know what the ambience will be like, but hey, I expect we'll all be so busy we won't notice.

The cost for the 3-day class [9:30-2:30 on Saturdays, July 21 (Sketching Techniques), July 28 (Landscape Techniques), and August 4, (Watercolor Pencil Techniques)] is $95, and I provide all the tools and supplies, and a set of three workbooks (one for each class) with extra sketching pages and lots of tips and exercises so that students not only have something to take home from the workshop but something to work from later to continue their sketching education.

The workbooks are popular and I've even had people contact me online to ask if they could purchase just the books. At the moment I'm only using them in the class -- but later I might put them together into a combined book for aspiring nature artists.

But back to the workshop....I just checked out a great idea I had with the nature center and they agreed to let me invite just the people who have taken my classes previously to drop in for single refresher sessions of the workshop at $35 each. For instance, someone might like to attend just the second class, Landscape Techniques if that is the only aspect they'd like to brush up on. Provided there is room in the class, they can just appear and pay at the door (however, I'd suggest they contact me by phone or email to confirm a spot before the day of the class -- there's a link in the panel at right, and you can learn more about the class here).

We haven't tried this before, so it remains to be seen if there will be interest in such a plan. Of course, if the class fills up completely, it won't work. But sometimes I get a dropout, so a spot could open up even then.

I love teaching this class. It is always exciting to me to see "I-can't-draw-a-straight-line" people realize they CAN draw, and watch them, by the 3rd session, shading and coloring their very presentable drawings with great satisfaction. Just as exciting, though, is to see artists who have been drawing or painting for a long time markedly improve their ability to draw more accurately what they see. And I love it when I have all kinds in the class -- they are an inspiration to each other and to me, too.

I've been getting some email feedback on my last blog about the Sketch/Journaling Workshop plan I posted. In the next blog I'll discuss what has come in. If you'd like to be part of the discussion, read the previous blog (below) and send me a comment or email about your reaction to the proposed workshop. I'd really appreciate your input.

Here's a grab-bag of other entries...

Related Posts with Thumbnails