There were only six of them -- in the summer it can be hard to fill classes here because we have a rather small area to draw from ('scuse the pun!) and I've given this workshop here several times already.
But the enthusiasm was high and they jumped right into the right-brain drawing exercises with gusto. Elise had taken the class before, and I hoped she wouldn't find it repetitive, but she reassured me that it was excellent practice for her, so I stopped worrying about it.
By the second session, they were gaining confidence, and the critiques were of great interest, with everyone learning from each other. In the picture at the top, each has drawn a gnarly stick, first with the stick in front of them, then immediately after, a drawing of it from memory -- the results of which caused considerable amusement.
In order of appearance, the apple artists are: Carol C., Elise L., Leslie L., Marta D. and Mary Lou L., They all gave me permission to include them here. Cathleen K., who is in the center of the critique photo at top, couldn't make it to the third session, but I'm positive her apple would have been as high quality as the rest.
The apples were daunting at first, but we took it step by step, and soon the ghosts of apples were appearing on the paper as they first laid down a yellow wash, wet it then dried it, then started applying the various reds, purples, greens and yellows close examination revealed on those supposedly red apples. At left below, pencil is scribbled on -- below right, water is painted over the pencil, and the watercolor pencil marks blend and spread into what looks very much like a watercolor painting. More pencil and more water can be applied until the desired intensity is reached, although too many washes may buckle the paper.
Here are the apples close-up -- click on the picture to see them even better.